10.12.10

Blood, Sweat and Beers


Simon Hewson ©2010




I ducked as the bottle flew over my head. The lead guitarist took a punch to the face, splattering blood over the drummer that was passed out on the floor. The bass player was being kicked and so was his amp, which I was now taking cover behind. I decided it was time to depart. My camera had drunk more beer than I had and my flash was making a funny crackling noise. I later found out that this was not some violent outbreak, but a regular almost weekly occurrence for this band... It's not that their fans didn't like them, quite the opposite they loved them and this is was how they showed it... I believe it's called anarchy.
Another time I was all set to shoot Ian Brown (The Stone Roses lead singer). He was now pushing his second solo album. I was always a fan of the Stone Roses and subsequently Mr Brown. When I finally got to meet him he was holding in his left hand a large orange and in his right a lemon. I don't think he was trying to boost his vitamin C intake... rather he thought they were some kind of magical musical instrument... a citrus-powered tambourine? He didn't want to have any photo's of himself which was a real shame. I had been organising to shoot him for about two months. But "the man from Delmonte say...No". His management then told me I couldn't even shoot him singing live, which I went on to completely ignore. He got up on stage and did his three songs. I was waiting for him to break out into "Oranges and Lemons" but sadly he didn't. I was then noticed by one of his people and got chased out of the venue. The joys of music photography!

I have however had many wonderful experiences and met many lovely people from doing music photography. I spent the best part of my degree shooting bands. At that point in time it fitted well with my love for music, I love the nature of music and photography being fused together. I still shoot a fair bit for music artists, but now its mainly for my own enjoyment rather than money. Trawling through my archives to make this blog was a little hard. Much of my best work is sitting in a negative folder in my old dark, in my parents loft. I'm sure the mice are munching their way through them as you read this.

My tips for shooting music & musicians

# 1 If your shooting live performance, make sure you use a mixture of flash and available light.
# 2 if your flash has a strobe setting give it a blast, it creates some great effects with the right kind of music.
# 3 Now ditch your flash. Just use the light you are given. pump up your iso a touch and don't be scared to shoot on a slower shutter speed, it creates amazing mood.
# 4 When shooting musicians you need to be louder than them which can be hard at times.
# 5 I like to let them do what ever they want (eating wild flowers is accepted) This sometimes backfires, but this is when you get the best shots.
# 6 Listen to their music before you shoot them, it helps you get an insight into the artist.
# 7 Try to build relationships with the artists you shoot, this is how most of the best music photography is created. The more time you spend with them the less they notice you and the camera.
# 8 Don't take it too seriously, it takes the fun out of it.
# 9 Always put the drummer at the back of a group shot, it is an unspoken rule!

Old Man River

Simon Hewson ©2010
















Washington

Simon Hewson ©2010

Simon Hewson ©2010



















Dappled Cities

Simon Hewson ©2010












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Sullivan Street

Simon Hewson ©2010

Simon Hewson ©2010


Simon Hewson ©2010

Simon Hewson ©2010


Tuesdays Child

Simon Hewson ©2010

Simon Hewson ©2010


Hurricane #1

Simon Hewson ©2010

Silverman

Simon Hewson ©2010

The supernaturals

Simon Hewson ©2010

3.8.10

Kodak Salon 2010

Simon Hewson ©2010

























I am happy to report that I won one of the 15 categories at the 2010 Kodak Salon Exhibition held at the CCP in Melbourne. The Exhibition is held annually and has been running for 17 years (I believe). This year over 300 photographers entered with over 400 images on display and up for judgement.

The Exhibition itself is based around the Parisian idea of displaying artworks from floor to ceiling. This is very overwhelming to view. We did at least four laps of the gallery before we felt like we had seen everything and even then we still missed the odd gem.

When I entered my images I thought about the categories that might fit well with my work. I decided to enter one of my favorite portraits and an image that has been pestering me for a while... The image I refer to is 'Hope' it won 'Excellence in the use of colour'. I have always loved this image, it really was a moment in time. I dragged out the roll of film that the image was on and there is only one single frame of this scenario. I do recall watching for a short time and waiting for things to fall into place.

I took 'Hope' on new years day on the island of Lido, which is just a short boat ride from Venice. Each year they have a beach party, there is a bunch of hardened swimmers that go for the first chilly dip of the year in the Golfo di Venezia. The locals give out free wine and food to passers by, a lovely Italian mumma gave me the biggest plate of delicious pasta you have ever seen.

The show is open now and ends on September the 25th.

 My images...



8.6.10

John Elias Sin Bin


Simon Hewson©2010

The new book by John Elias has just hit the shelves. It promises to be an exciting read. I can't wait to get a hold of my copy. I shot this cover a few months back now and I knew it would be a great one.
John was really good to photograph, he was easy to relax and a very willing sitter.


Simon Hewson©2010

I always approach a portrait with the moral that I will not put myself into the image.
In my mind if you do this the subject then becomes a reflection of the photographer. So this then no longer becomes the person being photographed. A portrait should be a reflection of that person at that moment.
I love the fact that we all have moods, we may be happy, sad or just plain uninterested. All of these add to a true portrait, as a photographer I try to capture this rather than mould it to suit my needs or a preconceived idea. This can still work in the realms of the commercial world you just have to make the sitter comfortable enough to be themselves.


Simon Hewson©2010

The book cover was designed by Luke Causby at Blue Cork and is published by Pan Macmillan.
It's out now and should be available in all bookstores!